Anthropology 254 Lecture Outlines
PART ONE:
Culture and Character, Modernity and Globalization
(1) "Zen
aesthetes" and "economic animals":
The perils of
national character
I. Finding a way between the ebb and flow of
current events and an apparent bedrock of enduring stereotypes
Compare James Brooke, “Growth in Japan, But Prices Drop,” New York Times,
August 30, 2003
And Nicholas Kristof, “In
Japan, Nice Guys (And Girls) Finish Together,” New York Times, April
12, 1998
See also Clyde Haberman, “Some
Japanese (One) Urge Plain Speaking,” New York Times, March 27, 1988
II. “Being Japanese”
as national character: the Seven
Deadly Clichés
A. "economic animals": hard
working, self-sacrificing
B. "selfless
groupies": self-effacing, group-oriented loyalists
C. "deferential
subordinates": hierarchically-inclined, consensus-seeking
D. "homogenous society":
isolated and insular, now forced into the global arena and torn between
Japanese traditionalism and Western modernity
E. "Zen aesthetes": reverence
for nature, refined sensibilities, accomplished in aesthetic pursuits
F. "inscrutable character":
preference for indirect expression and the non-rational and intuitive
G. "imitators, not
innovators": always followers and copycats, never pioneers and leaders;
imitative skill but not creative genius
III. Orientalizing vs. Occidentalizing: the
Japanese do it too
"Japan's history is as old as Europe's, but
it has been subject to less outside interference and
consequently has more spontaneity and continuity. Since the Yayoi period (c.
200 BC to c. AD 250), the Japanese have cultivated fields in the warm, moist
climate of these islands. As a result the social structure has evolved into a
form most suited to agriculture. Countless villages--communities formed for the
purpose of conducting agriculture--sprang up throughout Japan, and these have survived
down through the centuries. A comparison of any two villages selected at random
will reveal structures that are almost identical...
"Japanese society differs
from American society in that the atomistic individual never became established
as the basic unit. Those who struck out on their own were exceptions, and
today, as in the past, the basic unit of Japanese society is not the atomistic
individual but the molecular group, most commonly represented by the household
and the village. The household is like a monomer and the village like a
polymer. The individual exists as an organic part of these groups.
"The basic internal
principle in the formation of such groups is harmony. This applies to the
current Suzuki government in the same way as it did to the Shotoku government
of the early seventh century. The American values of freedom, equality, equal
opportunity, and an open-door policy are alien to the traditional character of
Japanese society..."
Amaya Naohiro, "Harmony and the Antimonopoly
Law," Japan Echo 8(1):88-89 (1981). The article is an extended
polemic against a proposed Anti-Monopoly Law on the grounds that the Japanese
national character of harmony and compromise renders the law unnecessary and
meaningless.
Compare
this to a very different extrapolation from the same “characteristic” of group
orientation by an American journalist:
"The
point is that Japan is not a society driven by a Western moral impulse.
Americans like to perceive themselves as involved in moral struggle, in trying
to spread democracy around the world or in struggling over issues of conscience
at home. Americans rally to what they
perceive as a 'just cause.' Power has a slightly negative connotation...To be powerful
often is to be immoral because one is presumably working against the interests
of the average Joe. A nation accustomed to abundance can afford that
perception.
“But Japan is a society where the struggle for economic power is
paramount. The underlying assumption is not abundance but rather scarcity. The
group, and by extension Japan, must win at any cost. Any tactic is acceptable.
It's revealing that there is no precise equivalent in Japanese for the Western
concept of 'fair.' There are conflicting interpretations. One is that if I have
power over you, you submit on the surface while struggling to overturn me by
stealth. If you have power over me, I do
the same. When Japanese talk about one another, they don't usually say 'I don't
like him' or 'He is not nice.' A more frequent insult is to say "He has no
power' or 'He has no influence.'"
William J. Holstein, The
Japanese Power Game: What It Means for America (Charles Scribner's Sons,
1990)
IV. What is
“national character”?
Literally, it is characterizing a
nation of people by one or a few attributes. It is the urge to see an entire
nation as a person writ large—as "wily," "honest,"
"spiritual," "hard-working," and so on.
V. Why is
national character especially relevant to Japan?
Japan was the first non-Western nation that the Western powers had to
take as a serious equal, and it remains poised uneasily between the West and
Asia.
VI. What
are the fallacies of national character?
A. National character essentializes a population
B. National character applies ethnocentric
standards of judgment
C. National character homogenizes the varieties
of everyday lives
The proper response to the claim that the Japanese are radically
different from you and me is not that the Japanese are just like you and
me, but rather that, in important ways, the Japanese are not like each other.
The Pulitzer Prize winning historian of Japan, John Dower, astutely commented
on wartime Japan in the 1930s and 1940s:
“It was
not that the Japanese people were, in actuality, homogeneous and harmonious,
devoid of individuality and thoroughly subordinated to the group, but rather
that the Japanese ruling groups were constantly exhorting them to become so.
Indeed, the government deemed it necessary to draft and to propagate a rigid orthodoxy
of this sort precisely because a great many Japanese did not cherish the more
traditional virtues of loyalty... What the vast majority of Westerners believed
the Japanese to be coincided with what the Japanese ruling elites hoped they
would become.”
John Dower, War without Mercy: Race and Power in
the Pacific War (New York: Pantheon, 1986)
VII. Case
studies (assigned readings)
A. Michael Shapiro and a national character view of
baseball warriors
B. Peter Frost: beyond the stereotype of exam warriors
C. KATŌ Tetsurō: beyond the stereotype of
corporate warriors